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The Haiku Handbook: How to Write, Share, and Teach Haiku, by William J. Higginson
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About the Author
WILLIAM J. HIGGINGSON studied Japanese at Yale University where he discovered the haiku, and served, with the U.S. Air Force in Japan. He is a charter member of the Haiku Society of America, founded in 1968, and edited and published Haiku Magazine (1971-76). He has three published collections of longer poems and one of haiku, and has work appearing in magazines and anthologies worldwide. He has also taught in the National Endowment for the Arts "Poets-in-the Schools" program, leading writing workshops in hundreds of schools, and he regularly speaks at conferences in the U.S., Canada, and Japan. Higginson's international anthology of haiku for children, Wind in the Long Grass, is a classroom favorite. His two-volume sequel to The Haiku Handbook, The Haiku Seasons and Haiku World, gives a comprehensive view of the history, present state, and international possibilities of seasonal consciousness in poetry. PENNY HARTER, Higginson's wife and collaborator on the Handbook, is a poet and teacher with 14 collections of poems to her credit. She has received three grants from the New Jersey State Council on the Arts for her poetry, and an award from the Poetry Society of America. She has served as a visiting poet for the Council and the Geraldine R. Dodge Foundation in classes from kindergarten through high school. Her work is published internationally; among her recent books are Shadow Play: Night Haiku, a collection for children, and her latest book, Turtle Blessing. The couple lives in Santa Fe, New Mexico, where Harter teaches at Santa Fe Preparatory School.
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Excerpt. © Reprinted by permission. All rights reserved.
[Following is the first section in Chapter 1, "Why Haiku?"] Haiku Happen We often see or sense something that gives us a bit of a lift, or a moment's pure sadness. Perhaps it is the funnies flapping in the breeze before a newsstand on a sunny spring day. Or some scent on the wind catches us as we step from the bus, or bend to lift the groceries from the car. Something tickles our ankle and, looking down to see what it is, we see more: a baby crab climbs up my leg-- such clear water Or we are lying awake, alone with our thoughts, and as we turn to look at the clock at midnight a distant door pulled shut and we find ourselves more alone, because of the being on the other side of that door, than when we had no thoughts for others anywhere in the world. The first of these two short poems was written about three hundred years ago by the Japanese poet Matsuo Basho. The second is by a twentieth-century Japanese poet, Ozaki Hosai. Both poems are haiku. Moments that can give rise to haiku are not foreign to the Americas. Mark Cramer has translated the following poem, originally written in Spanish by the Mexican poet Jose Juan Tablada a few years before Hosai wrote "at midnight": Tender willow almost gold, almost amber, almost light... And just recently New Jerseyan Penny Harter found the old doll her mama box broken to half a cry Haiku happen all the time, wherever there are people who are "in touch" with the world of their senses, and with their own feeling response to it.
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Product details
Paperback: 331 pages
Publisher: Kodansha USA; Later Printing edition (March 15, 1992)
Language: English
ISBN-10: 4770014309
ISBN-13: 978-4770014306
Product Dimensions:
7.1 x 1.1 x 4.4 inches
Shipping Weight: 12.6 ounces
Average Customer Review:
4.3 out of 5 stars
44 customer reviews
Amazon Best Sellers Rank:
#945,491 in Books (See Top 100 in Books)
'The Haiku Handbook' is essential reading for those wishing to comprehend the haiku. If only every grade school teacher that decides to do a haiku writing lesson would read this book first. Too many come out of such lessons thinking that writing a haiku is just a matter of counting up syllables.This book goes into the traditions of haiku at great length and enables a serious student to understand what a haiku actually is, and how to tell a good one from a second-rate one.For poets who'd like to try writing haiku, this book gives an overwhelming amount of information. I'd recommend going slow and reading and rereading useful sections rather than dashing through it and trying to apply everything you've learned all at once.One useful feature of the book is an extensive list of traditional season-words (a traditional haiku always has a season-word). Looking over the list may help you find a season word that can act as a poetry prompt for your next haiku.
I received a copy of The Haiku Handbook- 25th Anniversary Edition as a Christmas gift. I am so glad to finally have a copy of this classic haiku resource book for myself, instead of borrowing one from our local library.For anyone who writes, teaches or just enjoys haiku poetry, this is a must have book. One that you will refer to again and again, for inspiration, historical references and so much more.A nice presentation for this edition too. Makes a perfect gift. ;<) I certainly thought it was.Only one negative on the book presentation...I did note a couple of typos on the first few pages, something that the publishers might want to correct before reprinting this book.Geraldine Helen Hartman author of the Haiku Reflections series.
I have a tendency to be too wordy in my writing, so to learn more focus and control, I have been studying (and writing) haiku. The Haiku Handbook has been an engaging resource for me in those efforts. Each of the book's five sections contains a wealth of ideas and information that both challenges and inspires:Part One: Haiku Old and New [A great introduction to the experience of haiku and to Japanese Masters. The "Why Haiku" is helpful in clarifying one's purpose for writing such brief poetry.]Part Two: The Art of Haiku [Natural themes, the form and craft of haiku; this is the section that I like best, and I repeatedly refer back to these pages. I especially enjoy how the author discusses the difference in Japanese and English languages.]Part Three: Teaching Haiku [How to teach haiku writing to children, lesson plan included]Part Four: Before and Beyond Haiku [Haiku and its uses]Reference Section [With Season-Word List & Glossary]Overall, this is a worthy product for anyone who wishes to delve into haiku more deeply than the introduction that most Westerners receive.
You can see my full review posted on the alternate listing for this book. I bought this version because it was $0.01 used (with $3.99 shipping), whereas the other version was $16 new (Prime), $9 used (plus $3.99 shipping). Compared side by side (the anniversary edition I checked out from the library), they are exactly the same, only this book is slightly smaller (7 x 4.5) to (8.3 x 5.5). But even the page numbers are the same. Please refer to the reviews for the following version:The Haiku Handbook -25th Anniversary Edition: How to Write, Teach, and Appreciate Haiku
Excellent book on haiku poetry. A lot of historical info about the prominent Haiku writers. The book transitions from haiku history to instruction, with a sharp focus on exemplar haiku and the poetic characteristics of a well-written haiku. I wish there was more of a focus on the instructional aspects than the historical and cultural evolution of haiku. Nevertheless, Higginson's book is a great read and I intend on reading it a second time.
This is it. This is the one you were looking for. You may buy others, but this goes into Japanese poetry with good information and examples, including prose forms. Get this, and thank yourself later.
At first, I was a little sceptic about this book. A handbook about poetry? Poetry that originated in a country with a completely different language and culture? But soon I discovered it is really an encyclopedia about Haiku: its history, both in Japan and abroad, its different currents, how to write it, how to teach it. An very useful extra is the analysis of its structure, going beyond the 5+7+5 syllabes. Really a must for everybody aspiring to read, write or teach haiku.
Fun book with lots of ideas.
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